The Incredibles
The
Glory Days – Michael Giacchino
As
the song starts, the music is being played at a walking pace, which is also
known as ‘Andante’. At 10 seconds, the piece is of a ‘Vivace’ style, meaning
the tempo is also lively. This is so the music can keep up with the fast paced
action of the car chase scene in the film. The music changes once again at 18
seconds when the flute starts. The tempo sounds like it slows down, however it
doesn’t, it just sounds this way due to the texture becoming thinner as the
volume has decreased and the instruments are of higher pitch, meaning there is
no bass, losing all power and energy in the audio.
He
has made the pace fast and energetic to keep up with the action in the film.
Tonality
– The piece is in a minor key. This is strange to hear because a piece in minor
is not normally heard, as a minor tone is not normally used for an upbeat or
fast paced piece of music. However, it suits the film due to it being an action
film creating an unpredictable and mysterious vibe. This is due to the raised 5th
in the minor key.
The
texture in this piece of music alters rather a lot. A majority of the song, is polyphonic,
however, it changes in various parts of the piece. It is polyphonic because
there is more than one instrument being played at one time. Director,
Giacchino, did this to create an exhilarating feel on his audience upon them
watching the title sequence. When the radio comes on at 18 seconds, it then
turns to monophonic. Here, there is a reoccurring theme where as soon as the
scene changes from inside the car, to the car chase, the texture changes as
well. This is to show the two different moods/atmospheres between the two
events.
Dynamics
in this sequence vary from forte to piano, determining on the dialogue of the
sequence, where the music diminuendos when there is character speech, then
crescendos back to the original dynamic of the sound.
The
time signature of this piece is 4,4. That is the original time, this being
because the car chase represents the pace.
In
this piece by Giacchino, the melody of the piece changes throughout its
duration, a lot like it’s other musical elements. The introduction is legato
and is played by an orchestra, applying a smooth sound to the intro. After
this, flute comes in for a Legato melody which then works with the Pizzicato of
the violins offering a nice contrast of smooth and plucking sounds. Its melody
lines consist of interesting rhythms, such as syncopation from the flute and
xylophone. This creates an effect of progress in the car chasse scene and
increases intensity through this part of the sequence.
This
piece of music has a jazz style feel to it due to the heavy appearance of brass
instruments that feature from start to finish. Also, the fact that there is a
saxophone in the piece takes away any orchestral feel from the piece, as
saxophones do not normally feature in an orchestra. There is no structure to
the song, which also references the jazz style of music. It gives an almost
improvised feel to the track. At 29 seconds, there is also a trumpet trill,
heavily used and popular from the jazz era and style.
Before
the film footage starts…
- · French Horn – It is a very bold and capturing sound, drawing the audience in.
- · Glockenspiel – High frequency cutting through the main texture of the melody in the French horn. I enjoy the contrast of these two sounds
- · Flute/piccolo – High frequency cutting through the main texture of the melody in the French horn.
- · Woodblock – Creating a drum roll effect using a trill to gradually increase the tempo. I feel that the composer does this to build tension and set the scene for the car chase.
- · Trumpet – there is an increase in its pitch towards the end of the opening scene. This may have been done to build tension within the scene. To counteract this, there is a glissando going down in pitch and dynamic preparing you for the next scene.
Car
chase starts…
- · Drum Kit
- · Double Bass
- · Flute/Xylophone
- · Trumpet
- · Alto-Saxophone
- · French Horn
- · Woodblock
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